Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen"
Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber
Weber: Der Freischütz
6:37 January 1, 1973
BPM
66
Key
G Major
Camelot
9B

Embed

Share Link

Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" - Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber Information

Acousticness
96%
Danceability
22%
Energy
20%
Instrumentalness
0%
Liveness
13%
Loudness
71%
Speechiness
6%
Valence
9%
Popularity
Loudness
-17.186 dB

Summary

"Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen"" by Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1973. Since Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #7 out of 30 tracks. Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" BPM

Since Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" by Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Aida: Preludio by Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James MorrisAida: PreludioGiuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James MorrisB Minor110A137 BPM
La Traviata / Act 2: La Traviata / Act 2: "Di Madride noi siam mattadori"Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos KleiberG Major49B138 BPM
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 2 - Poco agitato by Max Reger, Staatskapelle Dresden, Heinz BongartzVariations and Fugue on a Theme of Mozart, Op. 132: Variation 2 - Poco agitatoMax Reger, Staatskapelle Dresden, Heinz BongartzA Major211B128 BPM
Rossini: Il barbiere di Siviglia: Overture by Gioachino Rossini, Luigi Alva, Alceo Galliera, Philharmonia OrchestraRossini: Il barbiere di Siviglia: OvertureGioachino Rossini, Luigi Alva, Alceo Galliera, Philharmonia OrchestraG Major39B116 BPM
Die Fledermaus / Act 3: Nr.13 Melodram: Die Fledermaus / Act 3: Nr.13 Melodram: "So, da wär'n wir ja zu Hause"Johann Strauss II, Benno Kusche, Bavarian State Orchestra, Carlos KleiberC Major08B95 BPM
La clemenza di Tito, K. 621 / Act I: La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio"Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian WeigleC Major28B85 BPM
Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten by Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz MendeLohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren SchrittenRichard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz MendeE♭ Major45B124 BPM
Les Contes d'Hoffmann / Act 4: Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey TateG Major39B140 BPM
Die Fledermaus / Act I: Nr. 1 Introduktion: Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist"Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos KleiberG Major19B50 BPM
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!"Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James LevineE Minor29A78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.2322397232055664

End: 1.2358474731445312