"Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen"" by Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1973. Since Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #7 out of 30 tracks. Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" by Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida: Preludio | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | B Minor | 1 | 10A | 137 BPM | ||
La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 2 - Poco agitato | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Luigi Alva, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM | ||
Die Fledermaus / Act 3: Nr.13 Melodram: "So, da wär'n wir ja zu Hause" | Johann Strauss II, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | C Major | 0 | 8B | 95 BPM | ||
La clemenza di Tito, K. 621 / Act I: "Parto, ma tu ben mio" | Wolfgang Amadeus Mozart, Elina Garanca, Staatskapelle Dresden, Sebastian Weigle | C Major | 2 | 8B | 85 BPM | ||
Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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