"Requiem pour soli, choeur & orchestre (1893 version): VII In Paradisum" by Winchester Cathedral Choir, David Hill, Stephen Farr, Bournemouth Symphony Orchestra was released on 1998. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 13 in Fauré: Requiem etc. by David Hill, Winchester Cathedral Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem pour soli, choeur & orchestre (1893 version): VII In Paradisum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem pour soli, choeur & orchestre (1893 version): VII In Paradisum by Winchester Cathedral Choir, David Hill, Stephen Farr, Bournemouth Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Small Town | Peter Sculthorpe, Sydney Symphony Orchestra, Stuart Challender | F Major | 1 | 7B | 138 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Eckart Runge, Cuarteto Casals | C Major | 1 | 8B | 103 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Renato Cellini | F Major | 2 | 7B | 75 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297, "Winter": II. Largo | Antonio Vivaldi, Yehudi Menuhin, Paul Cocker, Alberto Lysy, Camerata Lysy Gstaad | B♭ Major | 1 | 6B | 142 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob.III:17, "Serenade" (attrib. to Hoffstetter): II. Andante cantabile (arr. L. Stokowski for orchestra) | Franz Joseph Haydn, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 1 | 8B | 109 BPM | ||
The Blue Bird | Charles Villiers Stanford, Cai Thomas, Pegasus Chamber Choir, Robert Lewis | F♯ Major | 1 | 2B | 61 BPM | ||
O Lord, in Thy Wrath Rebuke Me Not | Orlando Gibbons, Winchester Cathedral Choir, David Hill | E Minor | 1 | 9A | 129 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM |
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