On December 7, 2018, the song "Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VIII. Rossignol" was released by Georg Philipp Telemann, Jordi Savall. With Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VIII. Rossignol being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 52 in the song's album "Terpsichore: L'apothéose de la danse baroque". In this album, this song's track order is #29. Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VIII. Rossignol is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ouverture-Suite G-Dur “La Bizarre”, TWV 55:G2: VIII. Rossignol by Georg Philipp Telemann, Jordi Savall having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 103 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Trio Sonata in F Major, TWV 42:F6: I. Vivace | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | G Major | 0 | 9B | 119 BPM | ||
Violin Concerto in D Major, FWV L:D4a: Violin Concerto in D Major, FWV L:D4a: I. Allegro | Johann Friedrich Fasch, Johannes Pramsohler, Darmstädter Barocksolisten | D Major | 3 | 10B | 103 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Partie 5 en ut majeur: Aria | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Major | 2 | 1B | 100 BPM | ||
Overture in G Major, TWV 55:G7: I. Ouverture | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire, Dirk Lippens, Elisabeth Schollaert | D Major | 0 | 10B | 71 BPM | ||
Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 125 BPM |
Section: 0.5827810764312744
End: 0.5881443023681641