"O gloriosa virginum" by Lajos Bárdos, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. The duration of O gloriosa virginum is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. O gloriosa virginum's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 5 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, O gloriosa virginum's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O gloriosa virginum by Lajos Bárdos, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Magna Et Mirabilia | Heraldos del Evangelio | G Minor | 2 | 6A | 98 BPM | ||
Lay a Garland - 1840 | Pearsall (1795-1856), Robert Pearsall, Talla Vocal Ensemble | E♭ Major | 1 | 5B | 103 BPM | ||
The Letter | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | F Major | 1 | 7B | 91 BPM | ||
Geirr Tveitt / Håkon Berge: Vé no velkomne med æra | Geirr Tveitt, Elisabeth Holte, Uranienborg Vokalensemble | D♭ Minor | 1 | 12A | 79 BPM | ||
3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A Minor | 1 | 8A | 91 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | A Major | 0 | 11B | 77 BPM |
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