Violin Concerto in A Major, Op. 23: II. Tempestoso - Live - Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra Information

Acousticness: 63%
Danceability: 11%
Energy: 16%
Instrumentalness: 24%
Liveness: 12%
Loudness: 64%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -21.793 dB

Summary

"Violin Concerto in A Major, Op. 23: II. Tempestoso - Live" by Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra was released on January 12, 2024. Since Violin Concerto in A Major, Op. 23: II. Tempestoso - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Suter: Violin Concerto in A Major, Op. 23 (Live)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. The popularity of Violin Concerto in A Major, Op. 23: II. Tempestoso - Live is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Concerto in A Major, Op. 23: II. Tempestoso - Live BPM

With Violin Concerto in A Major, Op. 23: II. Tempestoso - Live by Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Violin Concerto in A Major, Op. 23: II. Tempestoso - Live Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Madama Butterfly, SC 74, Act I: Vogliatemi bene	Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel	F♯ Minor	4	11A	80 BPM
Symphony No. 2, Op. 52, "Lobgesang": IV. Chor: Saget es, die ihr erlöset seid	Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath	E Major	1	12B	72 BPM
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto	Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle	C Minor	2	5A	89 BPM
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway)	Johannes Brahms, BBC Symphony Orchestra, Paul Mann	C Major	0	8B	126 BPM
The Firebird Suite, K010, (1945 Version): VIII. Pantomime III	Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali	B♭ Major	2	6B	122 BPM
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night)	Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes	A♭ Major	0	4B	89 BPM
Jesus of Nazareth - Epic Orchestral Version	Stavros Kleisiaris	E Minor	1	9A	140 BPM
The Dream of Gerontius, Op. 38, Pt. 1: Prelude	Edward Elgar, Gabrieli, Paul McCreesh	D Major	0	10B	85 BPM
Violin Concerto in A Major, Op. 23: III. L'istesso tempo, quasi fantasia - Live	Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra	A Major	1	11B	79 BPM
Lunacy Talked Me out of It	Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes	E♭ Minor	1	2A	100 BPM

ISRC: CHE272302193
Label: L-M Records/RCA Records

Section: 0.710249662399292

End: 0.715566873550415