"Symphony No. 2, Op. 52, "Lobgesang": IV. Chor: Saget es, die ihr erlöset seid" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath was released on March 15, 2024. With Symphony No. 2, Op. 52, "Lobgesang": IV. Chor: Saget es, die ihr erlöset seid being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 6 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 2, Op. 52, "Lobgesang": IV. Chor: Saget es, die ihr erlöset seid is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2, Op. 52, "Lobgesang": IV. Chor: Saget es, die ihr erlöset seid by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria mit Chor. "Ich will bei meinem Jesu wachen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Michael Schade, Concentus Musicus Wien | E Minor | 0 | 9A | 78 BPM | ||
Elias, Op. 70: Part I: Aber der Herr sieht es nicht (No. 5 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
Gloria | Antonio Vivaldi, Oulunsalon seurakunnan nuortenkuoro 1978-2015 | C Major | 3 | 8B | 76 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 1, Kornblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Mass No. 3 in F Minor, WAB 28: Agnus Dei | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | B♭ Major | 1 | 6B | 114 BPM | ||
Resitatiivi, Laulettuamme Kiitosvirren (Pietari Kieltää Jeesuksen) | Joose Vähäsöyrinki, Markku Liukkonen, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Kysymyksiä Pietarille, Miksi Lähdit Herrasi Luota | Cantio Laudis -kuoro, Heikki Rainio | C Minor | 1 | 5A | 76 BPM |
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