Francis Lopez, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester made "Lopez: Andalousie: "Ça fait tourner la tête" (Dolorès)" available on December 8, 2023. The duration of Lopez: Andalousie: "Ça fait tourner la tête" (Dolorès) is about 3 minutes long, at 3:17. Based on our data, "Lopez: Andalousie: "Ça fait tourner la tête" (Dolorès)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Operette. Wien, Berlin, Paris". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Lopez: Andalousie: "Ça fait tourner la tête" (Dolorès) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lopez: Andalousie: "Ça fait tourner la tête" (Dolorès) by Francis Lopez, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Le marchand d'alcarazas | Francis Lopez, Jésus Etcheverry, Orchestre Symphonique, Aldo Filistad | G Major | 2 | 9B | 116 BPM | ||
Offenbach: La belle Hélène, Act 1: No. 6, Le jugement de Pâris, "Au mont Ida, trois déesses" (Pâris) | Jacques Offenbach, Marc Minkowski, Yann Beuron, Les Musiciens du Louvre.Grenoble | B♭ Major | 1 | 6B | 103 BPM | ||
La Boda de Luis Alonso, pour castagnettes et orchestre | Geronimo Gimenez, Lucero Tena, Orchestre Lamoureux, Faycal Karoui | E Major | 4 | 12B | 106 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Audi Deus (salmo 60) | Orfeón de Miravalles | B♭ Major | 4 | 6B | 203 BPM | ||
Offenbach: Les contes d'Hoffmann, Act III: "Schlemil ! J'en étais sûr !" (Giulietta, Schlémil, Hoffmann, Chœur, Pitichinaccio, Dapertutto, Nicklausse) | Jacques Offenbach, André Cluytens, Bourvil, Charles Cambon, Charles Soix, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Raoul Jobin, Vina Bovy, Orchestre du Théâtre national de l'Opéra-Comique | C Major | 3 | 8B | 82 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM |
Section: 0.7365105152130127
End: 0.7402265071868896