Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation - Igor Stravinsky, Thomas Adès, Anthony Marwood Information

Acousticness: 94%
Danceability: 52%
Energy: 22%
Instrumentalness: 59%
Liveness: 9%
Loudness: 61%
Speechiness: 5%
Valence: 97%
Popularity: 0%
Loudness: -23.647 dB

Summary

On February 1, 2010, the song "Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation" was released by Igor Stravinsky, Thomas Adès, Anthony Marwood. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Stravinsky: Complete Music for Violin & Piano". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation BPM

With Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation by Igor Stravinsky, Thomas Adès, Anthony Marwood having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oration, Concerto elegiaco, H. 180: II. Allegro	Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth	C Major	0	8B	81 BPM
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp	Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord	B Major	2	1B	85 BPM
Violin Concerto in C Major: I. Allegro moderato: section 5	Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend	E Major	0	12B	101 BPM
II. Intermezzo	Morton Feldman, Marilyn Nonken, Stephen Marotto	B♭ Minor	0	3A	164 BPM
Kinderszenen, Op. 15 (Arr. for Cello & Piano): No. 8, Am Kamin	Robert Schumann, Duo Sinossi, Marianna Sinagra, Lorenzo Cossi	G Major	0	9B	138 BPM
Sonata for Keyboard and Violin in D Major, K. 7: III. Menuet I-II	Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien	A Major	1	11B	109 BPM
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato	Mario Castelnuovo-Tedesco, Quartetto Adorno	A Major	2	11B	160 BPM
Violin Concerto: IV.	Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra	C Major	1	8B	171 BPM
Une séparation	Dimitri Illarionov, Boris Andrianov	D Minor	0	7A	87 BPM
2 Pieces: No. 1. The Moon	Benjamin Britten, Matthew Jones, Annabel Thwaite	G Major	1	9B	87 BPM

ISRC: GBAJY0972322
Label: L-M Records/RCA Records