Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Uwe Heilmann, Waltraud Meier's 'Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor)' came out on 1995. Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 104 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) by Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Uwe Heilmann, Waltraud Meier is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 92 BPM | ||
Salome, Op. 54 / Scene 4: "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Uwe Peper, Karl-Ernst Mercker, Peter Maus, Warren Mok, Friedrich Molsberger, Manfred Röhrl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Minor | 4 | 7A | 86 BPM | ||
Symphony No. 8, Zweiter Teil: XI. Höchste Herrscherin der Welt! | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Susan Bullock, Johan Botha | E Major | 1 | 12B | 137 BPM | ||
Beethoven : Symphony No.2 in D major Op.36 : IV Allegro molto | Daniel Barenboim | D Major | 2 | 10B | 101 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation VIII | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Major | 3 | 7B | 86 BPM | ||
Carnaval, Op.9: 2. Pierrot | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Nur stille, stille, stille, stille!" | Wolfgang Amadeus Mozart, Roberta Peters, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | G Major | 2 | 9B | 79 BPM |
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