Zoltán Kodály, Pécsi Testvérvárosok T. Általános Isk. Kórusa made "Táncnóta, K.68" available on September 1, 1997. The duration of Táncnóta, K.68 is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Táncnóta, K.68's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Hazádnak rendületlenül (Zenei válogatás ünnepi alkalmakra)" album is number 25 out of 33. In terms of popularity, Táncnóta, K.68 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Táncnóta, K.68 by Zoltán Kodály, Pécsi Testvérvárosok T. Általános Isk. Kórusa to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fugue | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 80 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM |
Section: 0.7097656726837158
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