"Faust: Il se fait tard! Adieu!...." by Angela Gheorghiu, Richard Armstrong, Roberto Alagna was released on 1996. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in Duets & Arias by Angela Gheorghiu, Roberto Alagna. Faust: Il se fait tard! Adieu!.... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Faust: Il se fait tard! Adieu!.... by Angela Gheorghiu, Richard Armstrong, Roberto Alagna is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Hérodiade / Act 1: "Il est doux, il est bon" | Jules Massenet, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E♭ Major | 1 | 5B | 74 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
Donizetti: Anna Bolena, Act 2 Scene 12: "Al dolce guidami castel natio" (Anna) | Gaetano Donizetti, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Rossini: l barbiere di Siviglia, Act 1: "Dunque io son" (Figaro, Rosina) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 1 | 9B | 124 BPM | ||
Carmen, Act II, No.18 Finale: Plus tard! / La guerre, c'est la guerre! (Zuniga/Le Dancaïro/Le Remendado/Bohémiens/Carmen/Don José/Frasquita/Mercédès/Bohémiens et Bohémiennes) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 3 | 8B | 113 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Puccini: Madama Butterfly, Act 1: "Cio-cio-san! Abbominazione!" (Bonzo, Butterfly, Goro, Yakusidé, Cugina, Madre, Zia, Pinkerton, Chorus) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 4 | 10B | 176 BPM | ||
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM |
Section: 0.8008692264556885
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