"A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Megerkeztunk - Ime lassad (Here we are now. Now at last you see) (Bluebeard, Judith)" by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik was released on November 1, 2014. Since A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Megerkeztunk - Ime lassad (Here we are now. Now at last you see) (Bluebeard, Judith) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 14 in Bartók: Bluebeard's Castle by Béla Bartók, Janos Ferencsik. A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Megerkeztunk - Ime lassad (Here we are now. Now at last you see) (Bluebeard, Judith) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Megerkeztunk - Ime lassad (Here we are now. Now at last you see) (Bluebeard, Judith) by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | A♭ Minor | 0 | 1A | 77 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM |
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