Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester's 'Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso' came out on September 28, 2001. The duration of Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 14 out of 33. Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, " Salomon " , No. 104 in D-Major, Hob.I:104: IV. Finale: Spiriuoso | Slovak Philharmonic, Alfred Scholz | D Major | 2 | 10B | 138 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
Concerto in G Minor, RV 577: III. Allegro | Antonio Vivaldi, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 76 BPM | ||
Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Boretti: Claudio Cesare, Act 2: Sinfonia | Giovanni Antonio Boretti, Maxim Emelyanychev, Il Pomo D'oro | E♭ Minor | 2 | 2A | 105 BPM | ||
Iphigénie en Tauride, Wq. 46, Act I: Act I: Recitative: O race de Pelops (Iphigénie, Pr?tresses) | Christoph Willibald Gluck, Patricia Neway, Ann-Marie Carpenter, Orchestre De La Société Des Concerts Du Conservatoire, Carlo Maria Giulini | G Major | 1 | 9B | 99 BPM |
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