George Frideric Handel, Contrasto Armonico, Marco Vitale made "Da quel giorno fatale, HWV 99: I. Introduzione" available on 2009. With this song being about 5 minutes long, at 4:43, "Da quel giorno fatale, HWV 99: I. Introduzione" by George Frideric Handel, Contrasto Armonico, Marco Vitale is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Stefanie True, Contrasto Armonico, Marco Vitale's "Handel: Complete Cantatas Vol. 1" album is number 1 out of 24. On top of that, Netherlands appears to be the country where this track was created. Da quel giorno fatale, HWV 99: I. Introduzione is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Da quel giorno fatale, HWV 99: I. Introduzione by George Frideric Handel, Contrasto Armonico, Marco Vitale to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
Alcina, HWV 34: Musette | George Frideric Handel, Academy of St. Martin in the Fields, Kenneth Sillito | D Major | 1 | 10B | 126 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Rejouissance | Cologne Chamber Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Concerto in G Minor: V. Allegro | Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz | D♭ Minor | 1 | 12A | 128 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: III. Allegro assai | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 137 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VII. Polonaise | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Overture-Suite in D Major, TWV 55:D1: IV. Air 3: Presto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 3 | 3B | 118 BPM |
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