Stabat Mater, P. 77: 4. Quae moerebat et dolebat
Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit
Scarlatti: Salve Regina / Pergolesi: Stabat Mater
2:21 January 1, 1993
BPM
82
Key
C Minor
Camelot
5A

Embed

Share Link

Stabat Mater, P. 77: 4. Quae moerebat et dolebat - Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit Information

Acousticness
93%
Danceability
15%
Energy
9%
Instrumentalness
11%
Liveness
9%
Loudness
66%
Speechiness
5%
Valence
4%
Popularity
Loudness
-20.469 dB

Summary

"Stabat Mater, P. 77: 4. Quae moerebat et dolebat" by Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit was released on January 1, 1993. The duration of Stabat Mater, P. 77: 4. Quae moerebat et dolebat is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Stabat Mater, P. 77: 4. Quae moerebat et dolebat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Scarlatti: Salve Regina / Pergolesi: Stabat Mater". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater, P. 77: 4. Quae moerebat et dolebat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, P. 77: 4. Quae moerebat et dolebat BPM

With Stabat Mater, P. 77: 4. Quae moerebat et dolebat by Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stabat Mater, P. 77: 4. Quae moerebat et dolebat Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pro Peccatis by Andreas SchollPro PeccatisAndreas SchollD Minor27A58 BPM
Pergolesi: Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret (Soprano - Alto) by Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard LesnePergolesi: Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret (Soprano - Alto)Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard LesneB♭ Minor13A71 BPM
Laudate pueri Dominum: VII. Sicut erat in principio by Giovanni Battista Pergolesi, Rachel Harnisch, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego FasolisLaudate pueri Dominum: VII. Sicut erat in principioGiovanni Battista Pergolesi, Rachel Harnisch, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego FasolisF Minor04A91 BPM
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In G Minor, TWV 55: G4: VI. GasconnadeCologne Chamber Orchestra, Georg Philipp TelemannG Minor46A146 BPM
Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro by Arcangelo Corelli, Ottavio Dantone, Stefano MontanariSonata Da Chiesa No. 4 in F Major, Op. 5: II. AllegroArcangelo Corelli, Ottavio Dantone, Stefano MontanariE Major412B122 BPM
The Fairy Queen / Act 2: One Charming Night by Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano MontanariThe Fairy Queen / Act 2: One Charming NightHenry Purcell, Andreas Scholl, Accademia Bizantina, Stefano MontanariB Minor110A80 BPM
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in C Major, Op. 9, No. 5: III. AllegroTomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisC Major38B103 BPM
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott"Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik MortensenB♭ Minor13A79 BPM
Eia Mater: Andantino by Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara MingardoEia Mater: AndantinoGiovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara MingardoE Minor09A0 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
ISRC
GBF079143004
Label
L-M Records/RCA Records

Section: 1.1466114521026611

End: 1.1512343883514404