"Stabat Mater, P. 77: 4. Quae moerebat et dolebat" by Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit was released on January 1, 1993. The duration of Stabat Mater, P. 77: 4. Quae moerebat et dolebat is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Stabat Mater, P. 77: 4. Quae moerebat et dolebat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Scarlatti: Salve Regina / Pergolesi: Stabat Mater". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater, P. 77: 4. Quae moerebat et dolebat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, P. 77: 4. Quae moerebat et dolebat by Giovanni Battista Pergolesi, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret (Soprano - Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard Lesne | B♭ Minor | 1 | 3A | 71 BPM | ||
Laudate pueri Dominum: VII. Sicut erat in principio | Giovanni Battista Pergolesi, Rachel Harnisch, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego Fasolis | F Minor | 0 | 4A | 91 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 4 | 12B | 122 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM |
Section: 1.1466114521026611
End: 1.1512343883514404