Arcangelo Corelli, Ottavio Dantone, Stefano Montanari's 'Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro' came out on November 7, 2006. The duration of Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 60 in Corelli: Violin Sonatas Op. 5, Nos. 1-12 by Arcangelo Corelli, Accademia Bizantina, Stefano Montanari, Ottavio Dantone. Based on our statistics, Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: III. Allegro prestissimo | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 2 | 9B | 148 BPM |
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