"Fugua y Misterio I" by Astor Piazzolla, Axiom Brass was released on September 19, 2023. With Fugua y Misterio I being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Piazzolla: Maria de Buenos Aries". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Fugua y Misterio I's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fugua y Misterio I by Astor Piazzolla, Axiom Brass having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La cumparsita: La Cumparsita | Gerardo Matos Rodriguez, Georg Gulyas | E Minor | 1 | 9A | 130 BPM | ||
Tango für Elise | Amsterdam Loeki Stardust Quartet | A Minor | 0 | 8A | 129 BPM | ||
Boedo | Astor Piazzolla, Octeto Buenos Aires | D Major | 5 | 10B | 123 BPM | ||
María de Buenos Aires, Part II, Scene 11: "Carta a los árboles y a las chimeneas" (Sombra de María) | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | G Major | 1 | 9B | 128 BPM | ||
Csárdás | Vittorio Monti, Sarah Nemtanu, Chilly Gonzales | D Major | 5 | 10B | 78 BPM | ||
Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
Adelita, Mazurka | Philip Hemmo | E Major | 1 | 12B | 93 BPM | ||
Nocturne No. 20 In C-Sharp Minor, Op. Posth. | Jacques Loussier | F♯ Minor | 1 | 11A | 117 BPM | ||
Tango en Skai | Roland Dyens, Enno Voorhorst, The String Soloists | A Minor | 1 | 8A | 131 BPM | ||
Histoire du tango pour flûte et guitare: Bordel 1900 | Cécile Daroux, Pablo Marquez | A Major | 1 | 11B | 73 BPM |
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