Jacques Loussier's 'Nocturne No. 20 In C-Sharp Minor, Op. Posth.' came out on October 26, 2004. With Nocturne No. 20 In C-Sharp Minor, Op. Posth. being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacques Loussier's "Impressions On Chopin's Nocturnes" album is number 20 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Nocturne No. 20 In C-Sharp Minor, Op. Posth. is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nocturne No. 20 In C-Sharp Minor, Op. Posth. by Jacques Loussier to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pata Pata (Arr. Schindler for Piano Solo) | Miriam Makeba, Lang Lang | E♭ Major | 3 | 5B | 148 BPM | ||
Prélude No.2 en ut mineur, BWV 847 | Jacques Loussier | C Minor | 1 | 5A | 137 BPM | ||
Largo - From Preludes Op. 28 | Trio X of Sweden | A Minor | 2 | 8A | 81 BPM | ||
Alla Turca Jazz, Op. 5b | Fazıl Say | E Minor | 3 | 9A | 168 BPM | ||
Nocturne No. 18 In E Major, Op. 62 No. 2 | Jacques Loussier | A♭ Major | 2 | 4B | 102 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Nocturne No. 1 In B-Flat Minor, Op. 9 No. 1 | Jacques Loussier | B♭ Minor | 1 | 3A | 169 BPM | ||
Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) | Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts | A Minor | 2 | 8A | 169 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
Canzonetta in E-Flat Major, Op. 19 | Gabriel Pierné, Ludmila Peterková, Irina Kondratenko | E♭ Major | 1 | 5B | 69 BPM |
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