"Serenade In F Major, Op.31: 2. Canzonetta: Tempo di valse, un poco tranquillo" by Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1995. With this song being about 5 minutes long, at 4:45, "Serenade In F Major, Op.31: 2. Canzonetta: Tempo di valse, un poco tranquillo" by Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Stenhammar: Symphonies Nos. 1 & 2, Serenade, "Excelsior!"". In this album, this song's track order is #2. Based on our statistics, Serenade In F Major, Op.31: 2. Canzonetta: Tempo di valse, un poco tranquillo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade In F Major, Op.31: 2. Canzonetta: Tempo di valse, un poco tranquillo by Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): XI. Finale "Bei des Feuers mattem Flimmern" | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe, Sandrine Piau, La Chapelle Royale, Collegium Vocale Gent, Delphine Collot | E Major | 0 | 12B | 146 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | E♭ Major | 0 | 5B | 79 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM |
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