"Pastoral Suite, Op. 13b: I. Preludium" by Gunnar de Frumerie, Gunilla von Bahr, Stockholm Chamber Ensemble, Jan-Olav Wedin had its release date on January 31, 1993. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Pastoral Suite, Op. 13b: I. Preludium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 25 in Bahr, Gunilla Von: Solflojt 2/3 (Sun-Flute 2/3) by Gunilla von Bahr. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Pastoral Suite, Op. 13b: I. Preludium is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pastoral Suite, Op. 13b: I. Preludium by Gunnar de Frumerie, Gunilla von Bahr, Stockholm Chamber Ensemble, Jan-Olav Wedin is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Singoalla, Op. 22, Act II: Underhandling eller ej? | Gunnar de Frumerie, Stig Tysklind, Erik Saeden, Per-Arne Wahlgren, Hagersten Motet Choir, Royal Stockholm Philharmonic Orchestra, Yuri Ahronovitch | C Major | 1 | 8B | 157 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Hjärtats Sånger (Songs Of The Heart), Op. 27: 4. Ur djupet av min själ (From The Depths Of My Soul) | Gunnar de Frumerie, Anne Sofie von Otter, Bengt Forsberg | B Major | 0 | 1B | 70 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM |