Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 96.2 & Kapitel 97.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #207 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Kapitel 96.2 & Kapitel 97.1 - Wie Google tickt - How Google Works is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 96.2 & Kapitel 97.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Kapitel 96.2 & Kapitel 97.1 - Wie Google tickt - How Google Works being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Handel: Theodora, HWV 68, Pt. 1 Scene 1: Chorus. "And Draw a Blessing Down" (The Heathens) | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Elijah, Op. 70: "Holy, Holy, Holy Is God the Lord" (Quartet & Chorus) | Felix Mendelssohn, Gabrieli, Emily Rowley Jones, Lucy Ballard, Ruth Gibbins, Samuel Boden, William Whitehead, Paul McCreesh | C Major | 1 | 8B | 140 BPM | ||
Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 2 | 10A | 111 BPM | ||
I Puritani: Ah! Per sempre io ti perdei | Vincenzo Bellini, Aurelio Scotto, Przemysław Baranek | A♭ Major | 3 | 4B | 172 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Resitatiivi, Pääsiäisjuhla Oli Jo Tulossa | Markku Liukkonen, Joose Vähäsöyrinki, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Norma: Casta Diva - Remasterizado 2003 | Tania Libertad | F Major | 4 | 7B | 101 BPM | ||
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM |
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