"Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III Scene 1: Gleich, Meister! Hier! - Wahn! Wahn! - Scene 2: Gruss Gott, mein Junker!" by Richard Wagner, Friedrich Schorr, Rudolf Laubenthal, Carl Jöken, Berlin State Opera Chorus, Staatskapelle Berlin, London Symphony Orchestra, Leo Blech, Albert Coates was released on March 6, 2012. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III Scene 1: Gleich, Meister! Hier! - Wahn! Wahn! - Scene 2: Gruss Gott, mein Junker! appears to be safe for all ages as it is not explicit. The song is number 1 out of 15 in Die Meistersinger von Nurnberg (1919-1930) by Richard Wagner, Leo Blech, Bruno Seidler - Winkler, Lawrance Collingwood, Albert Coates, Sir John Barbirolli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III Scene 1: Gleich, Meister! Hier! - Wahn! Wahn! - Scene 2: Gruss Gott, mein Junker! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III Scene 1: Gleich, Meister! Hier! - Wahn! Wahn! - Scene 2: Gruss Gott, mein Junker! by Richard Wagner, Friedrich Schorr, Rudolf Laubenthal, Carl Jöken, Berlin State Opera Chorus, Staatskapelle Berlin, London Symphony Orchestra, Leo Blech, Albert Coates is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM |
Section: 0.7685377597808838
End: 0.7748703956604004