Carl Orff, Ludovic Tezier, Shanghai Symphony Orchestra, Long Yu's 'Carmina Burana / I. Primo vere: "Omnia Sol temperat" - Live from the Forbidden City' came out on January 18, 2019. The duration of Carmina Burana / I. Primo vere: "Omnia Sol temperat" - Live from the Forbidden City is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Carmina Burana / I. Primo vere: "Omnia Sol temperat" - Live from the Forbidden City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff: Carmina Burana (Live from the Forbidden City)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Carmina Burana / I. Primo vere: "Omnia Sol temperat" - Live from the Forbidden City is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / I. Primo vere: "Omnia Sol temperat" - Live from the Forbidden City by Carl Orff, Ludovic Tezier, Shanghai Symphony Orchestra, Long Yu having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giazzotto: Adagio for Strings and Organ in G Minor, "Albinoni's Adagio" (Excerpt, Opening) | Tomaso Albinoni, Ian Watson, English Chamber Orchestra | G Minor | 2 | 6A | 90 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 84 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
Hänsel und Gretel: Prelude "The Witch's Ride" | Engelbert Humperdinck, Gürzenich Orchester Köln, Sir John Pritchard | F Major | 2 | 7B | 85 BPM | ||
Adagio in G Minor (formerly Attrib. Albinoni) | Remo Giazotto, I Musici | C Minor | 1 | 5A | 94 BPM | ||
Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Ian Bostridge, Julius Drake | D♭ Major | 0 | 3B | 170 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman, Boston Pops Orchestra | A Minor | 0 | 8A | 136 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Carmina Burana: Stetit puella | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | C Minor | 2 | 5A | 95 BPM |
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