Minnesota Orchestra, Stanisław Skrowaczewski made "Scythian Suite, Op. 20 - The Enemy God And Dance Of The Spirits Of Darkness" available on July 1, 2008. The duration of Scythian Suite, Op. 20 - The Enemy God And Dance Of The Spirits Of Darkness is about 3 minutes long, at 3:22. Based on our data, "Scythian Suite, Op. 20 - The Enemy God And Dance Of The Spirits Of Darkness" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 52 in the song's album "Stravinsky/Prokofiev: Orchestral Works". In this album, this song's track order is #15. In terms of popularity, Scythian Suite, Op. 20 - The Enemy God And Dance Of The Spirits Of Darkness is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Scythian Suite, Op. 20 - The Enemy God And Dance Of The Spirits Of Darkness by Minnesota Orchestra, Stanisław Skrowaczewski having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: XIII. Vision | Minnesota Orchestra, Edo de Waart | A♭ Minor | 2 | 1A | 81 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Debussy: La Mer, L. 111a: I. De l'aube à midi sur la mer | Claude Debussy, Emmanuel Krivine, Orchestre National De France | E Major | 1 | 12B | 75 BPM | ||
Swan Lake, Op. 20, TH 12, Act III: No. 21, Danse espagnole. Allegro non troppo, tempo di bolero | Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti | D♭ Major | 6 | 3B | 129 BPM | ||
Das Lied von der Erde: IV. Von der Schonheit (Of Beauty) | Gustav Mahler, Michelle DeYoung, Minnesota Orchestra, Eiji Oue | D♭ Major | 6 | 3B | 129 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Fugue in G Minor, BWV 578 "The Little" - Arranged By Leopold Stokowski | Johann Sebastian Bach, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 0 | 6A | 82 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (Ma non troppo lento) | Jean Sibelius, Minnesota Orchestra, Osmo Vänskä | E♭ Major | 1 | 5B | 94 BPM |
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