Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!"
Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Zhanna Dombrovskaya, Piotr Beczala, Mariinsky Orchestra
Donizetti: Lucia di Lammermoor
2:30 July 25, 2011
BPM
97
Key
G Major
Camelot
9B

Embed

Share Link

Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!" - Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Zhanna Dombrovskaya, Piotr Beczala, Mariinsky Orchestra Information

Acousticness
98%
Danceability
35%
Energy
5%
Instrumentalness
0%
Liveness
12%
Loudness
59%
Speechiness
5%
Valence
10%
Popularity
Loudness
-24.737 dB

Summary

"Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!"" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Zhanna Dombrovskaya, Piotr Beczala, Mariinsky Orchestra was released on July 25, 2011. The duration of Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. In terms of popularity, Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!" BPM

The tempo marking of Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Zhanna Dombrovskaya, Piotr Beczala, Mariinsky Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Lucia di Lammermoor, Act I, Scene II: No. 4a Scena e Duetto - Finale I "Egli s'avanza!" Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Contes d'Hoffmann / Act 1: Entr'acte by Jacques Offenbach, Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 1: Entr'acteJacques Offenbach, Orchestre de la Suisse Romande, Richard BonyngeE Major212B100 BPM
Donizetti: Lucia di Lammermoor, Act 2: Donizetti: Lucia di Lammermoor, Act 2: "A festeggiar le nozze illustri" (Normanno, Enrico)Gaetano Donizetti, Tullio Serafin, Gino Sarri, Tito Gobbi, Orchestra del Maggio Musicale FiorentinoD Major210B40 BPM
Lucia di Lammermoor / Act 1: Lucia di Lammermoor / Act 1: "Tu sei turbato!"Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeA Major111B109 BPM
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila)Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio OrchestraE Major112B100 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs)Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireD Major110B90 BPM
Strauss, R: Der Rosenkavalier, Op. 59, Act III: Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie)Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Herbert von Karajan, Philharmonia OrchestraD♭ Major23B94 BPM
Donizetti: Lucia di Lammermoor, Act 3: Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico)Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio SerafinD Major110B169 BPM
Werther: Pourquoi me réveiller by Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard ArmstrongWerther: Pourquoi me réveillerJules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard ArmstrongF♯ Minor111A67 BPM
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' by Maria Callas, Philharmonia Orchestra, Tullio SerafinUna voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville'Maria Callas, Philharmonia Orchestra, Tullio SerafinE Major112B136 BPM
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinLa Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me serenoMaria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinA♭ Major14B113 BPM
ISRC
RUA521001209
Label
L-M Records/RCA Records

Section: 0.6276671886444092

End: 0.6338112354278564