Fernando Sor, Enea Leone made "25 Progressive Lessons, Op. 60: III. Progressive Lesson No. 3" available on August 8, 2014. With 25 Progressive Lessons, Op. 60: III. Progressive Lesson No. 3 being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #75. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, 25 Progressive Lessons, Op. 60: III. Progressive Lesson No. 3 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 25 Progressive Lessons, Op. 60: III. Progressive Lesson No. 3 by Fernando Sor, Enea Leone having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM | ||
Marta | Marco Pereira, Ricardo Cobo | A Minor | 0 | 8A | 67 BPM | ||
Guitar Sonata No. 1: Allegro deciso e molto ritmico | Carlos Guastavino, Victor Villadangos | D Minor | 0 | 7A | 108 BPM | ||
5 Preludios: No. 2, Preludio Triston | Maximo Diego Pujol, Jason Vieaux | C Major | 0 | 8B | 88 BPM | ||
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM | ||
Carcassi Op.60 N.13 Andantino Grazioso | Matteo Carcassi, Lucio Matarazzo | A Major | 4 | 11B | 114 BPM | ||
12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | E♭ Minor | 1 | 2A | 94 BPM |
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