Marco Pereira, Ricardo Cobo made "Marta" available on November 29, 2003. The duration of Marta is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Marta's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ricardo Cobo's "Latin American Guitar Music" album is number 15 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Marta is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Marta by Marco Pereira, Ricardo Cobo to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mingus Samba | Marcus Tardelli | D Major | 4 | 10B | 131 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Castillos de Espana II: No. 6. Torija | Federico Moreno Torroba, Ana Vidovic | D Major | 0 | 10B | 124 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | C Major | 2 | 8B | 155 BPM | ||
Suite Colombiana No. 3: IV. German (Bambuco) | Gentil Montaña, José Antonio Escobar | D Minor | 1 | 7A | 127 BPM | ||
Oblivion pour flûte alto, bandonéon, guitare et contrebasse | Cécile Daroux, Leonardo Sanchez, Juan José Mosalini Jr, Mauricio Angarita | C Minor | 0 | 5A | 89 BPM | ||
Siete canciones populares españolas: IV. jota | Manuel de Falla, Ophélie Gaillard, David Chupete, Emmanuel Rossfelder | E Major | 3 | 12B | 89 BPM | ||
Drunken Ecstasy (arr. Xuefei Yang for guitar) | Xuefei Yang, Ruan Ji | F Major | 0 | 7B | 74 BPM | ||
A Kind of Song | Per-Olov Kindgren | F Major | 1 | 7B | 75 BPM | ||
36 Caprices, Op. 20: IX. Largo | Luigi Legnani, Pavel Steidl | E Minor | 1 | 9A | 78 BPM |
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