Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt's 'Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: I. Allégrement' came out on January 1, 1964. The duration of Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: I. Allégrement is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: I. Allégrement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Telemann: Paris Quartets". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: I. Allégrement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: I. Allégrement by Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VI. Badinage. Trés vite | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 113 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Oboe Concerto in F Minor, TWV 51:f2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 81 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 2 | 12A | 107 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM |
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