Alfredo Kraus's 'Mediterraneo' came out on July 18, 2014. The duration of Mediterraneo is about 3 minutes long, at 3:08. Based on our data, "Mediterraneo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 40 in Canciones y Romanzas by Alfredo Kraus. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Mediterraneo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mediterraneo by Alfredo Kraus is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Une fée a passé - Extrait de "Valse de Vienne" | Johann Strauss II, Marcel Merkès, Paulette Merval, Caravelli | G Major | 5 | 9B | 129 BPM | ||
La gran via: Chotis del elíseo | Ana Maria Iriarte, Ataúlfo Argenta, Coro Cantores de Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 124 BPM | ||
Fausto: "Coro de los Soldados" | Slovak Philharmonic Orquesta y Coros | B♭ Minor | 2 | 3A | 92 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
El Murcielago | Orquesta Filarmonica de Rumania | G Major | 2 | 9B | 144 BPM | ||
Rigoletto: Act IV: Bella figlia dell'amore | Giuseppe Verdi, Sir Georg Solti, Alfredo Kraus, Rosalind Elias, Anna Moffo, Robert Merrill | A Minor | 7 | 8A | 148 BPM | ||
La Tabernera del Puerto, Act 3: ¡Son ellos! Era verdad. ¡Salvadlos! | Pablo Sorozábal, Alfredo Kraus, Orquestra De Conciertos De Madrid, Jorge Algorta, Renato Cesari | E♭ Major | 3 | 5B | 187 BPM | ||
Guerrero, Jacinto: La rosa del azafrán, Act 1 Scene 1: No. 2, Canción, "Cuando siembro voy cantando" (Juan Pedro) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | F♯ Major | 2 | 2B | 132 BPM | ||
Mozart: Così fan tutte, K. 588, Act II, Scene 18: "Fortunato l'uom che prende" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Despina) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Alfredo Kraus, Christa Ludwig, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | C Minor | 5 | 5A | 131 BPM | ||
La Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | F Major | 2 | 7B | 102 BPM |
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