Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid's 'Guerrero, Jacinto: La rosa del azafrán, Act 1 Scene 1: No. 2, Canción, "Cuando siembro voy cantando" (Juan Pedro)' came out on 1988. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Romanzas de Zarzuelas". In this album, this song's track order is #9. Based on our statistics, Guerrero, Jacinto: La rosa del azafrán, Act 1 Scene 1: No. 2, Canción, "Cuando siembro voy cantando" (Juan Pedro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Guerrero, Jacinto: La rosa del azafrán, Act 1 Scene 1: No. 2, Canción, "Cuando siembro voy cantando" (Juan Pedro) by Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
La Verbena de la Paloma, Act I: La Virgen de la Paloma (Chœur) | Tomás Bretón, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | D Major | 4 | 10B | 81 BPM | ||
El gato montés: Torero quiero ser (Rev. Roa García) - Live | Manuel Moreno Penella, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A Minor | 5 | 8A | 90 BPM | ||
Lara / Arr. Hayes: Granada (Live) | Agustín Lara, Plácido Domingo, Zubin Mehta, Los Angeles Philharmonic | D Major | 4 | 10B | 83 BPM | ||
Act I: Non piangere, Liù | Giacomo Puccini, Plácido Domingo, Nello Santi, New Philharmonia Orchestra | D♭ Major | 2 | 3B | 89 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Ramón Vargas, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 1 | 3A | 165 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
La Verbena de la Paloma, Act I: Parlato et scène (Hilarión, Sebastián, Julián, Rita, Tabernero, Mozo 1, Mozo 2) | Tomás Bretón, Rafael Castejon, Jesús Castejón, Plácido Domingo, Raquel Pierotti, Alfonso Echeverria, Ramón de Andrés, Martín Grijalba, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | E Major | 2 | 12B | 150 BPM | ||
Bohemios | Ataúlfo Argenta | B♭ Major | 2 | 6B | 122 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM |
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