Orquestra De Cambra Teatre Lliure's 'Summertime' came out on August 28, 1998. Summertime appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Porgy & Bess". In this album, this song's track order is #3. In terms of popularity, Summertime is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Summertime by Orquestra De Cambra Teatre Lliure having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Canciones españolas antiguas: I. Anda jaleo | Federico García Lorca, Orquestra De Cambra Teatre Lliure, Ginesa Ortega, Josep Pons | G Major | 1 | 9B | 104 BPM | ||
Iberia - Piano (Pub.1906) - Book 3: 7. El Albaicín | Isaac Albéniz, Alicia de Larrocha | B♭ Minor | 0 | 3A | 89 BPM | ||
El Amor brujo: Quadre Segon: Escena | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | D Major | 0 | 10B | 139 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Sextet, FP 100: Finale: Prestissimo | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | C Major | 1 | 8B | 136 BPM | ||
Commando March | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | C Minor | 4 | 5A | 120 BPM | ||
Cancionero de Pedrell: VII. Alatá (Galicia) | Roberto Gerhard, Orquestra De Cambra Teatre Lliure, Josep Pons, Josep Benet | E Major | 0 | 12B | 55 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Spanish Dances, Op. 12, Book 1: No. 1 in C major | Moritz Moszkowski, London Symphony Orchestra, Ataúlfo Argenta | C Major | 2 | 8B | 107 BPM |
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