"Sonatina for Viola Da Gamba And Continuo (Kertzinger)" by Augustinus Kertzinger, Masques, Olivier Fortin was released on March 21, 2006. With this song being about 5 minutes long, at 4:54, "Sonatina for Viola Da Gamba And Continuo (Kertzinger)" by Augustinus Kertzinger, Masques, Olivier Fortin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 20 out of 29. Based on our statistics, Sonatina for Viola Da Gamba And Continuo (Kertzinger)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonatina for Viola Da Gamba And Continuo (Kertzinger) by Augustinus Kertzinger, Masques, Olivier Fortin to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Cello Sonata in F Major, Op. 14 No. 2, RV 41: I. Largo | Antonio Vivaldi, Antonio Mostacci, Bologna Baroque | F Major | 1 | 7B | 135 BPM | ||
La gambade: Menuet | Francesca Torelli, Charles Mouton | G Minor | 0 | 6A | 130 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Balletto N. 2 En Sol Mayor - I. Preludio (Giacomo Facco) | Grupo de musica barroca La Folia/Pedro Bonet | F♯ Major | 0 | 2B | 116 BPM | ||
Madonna Qual Certezza | The Royal Wind Music | F♯ Minor | 1 | 11A | 73 BPM | ||
Suite En Si Mineur: Menuet, II.94 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 1 | 3A | 60 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM |
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