Matthew Locke, Vox Orchester, Lorenzo Ghirlanda made "The Tempest: Lilk" available on May 10, 2019. With The Tempest: Lilk being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Purcell & Locke: Orchestral Works". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, The Tempest: Lilk is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Tempest: Lilk by Matthew Locke, Vox Orchester, Lorenzo Ghirlanda having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trios pour le coucher du roi, LWV 35: Chaconne | Jean-Baptiste Lully, Les Ordinaires, Allison Nyquist | B♭ Major | 1 | 6B | 79 BPM | ||
Consort of Four Parts, Suite No. 1 in D Minor: IV. Saraband | Matthew Locke, Phantasm | D♭ Minor | 1 | 12A | 179 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Noel Symphony No. 4 in D Minor: II. Allegro | Michel Corrette, Arion Trio | A Minor | 1 | 8A | 174 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
Sonatae unarum fidium: III. Gigue | Johann Heinrich Schmelzer, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani | A♭ Major | 4 | 4B | 123 BPM | ||
Balletto N. 2 En Sol Mayor - I. Preludio (Giacomo Facco) | Grupo de musica barroca La Folia/Pedro Bonet | F♯ Major | 0 | 2B | 116 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM |
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