Requiem: Lacrimosa - Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg Information

Acousticness: 81%
Danceability: 13%
Energy: 5%
Instrumentalness: 92%
Liveness: 10%
Loudness: 54%
Speechiness: 4%
Valence: 3%
Popularity: 5%
Loudness: -27.711 dB

Summary

"Requiem: Lacrimosa" by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg was released on March 3, 2023. With this song being about 5 minutes long, at 5:14, "Requiem: Lacrimosa" by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg, Andrew Thompson's "Matthew Coleridge: Requiem" album is number 7 out of 14. Requiem: Lacrimosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem: Lacrimosa BPM

We consider the tempo marking of Requiem: Lacrimosa by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Requiem: Lacrimosa Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ethereal Resonance	LeoRoads	F Major	1	7B	80 BPM
Carmina Burana: Veris leta facies	Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop	F Major	2	7B	127 BPM
The Crucifixion: IX. Chorus – God so loved the world	John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson	E Major	2	12B	76 BPM
All-Night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria"	Sergei Rachmaninoff, MDR Leipzig Radio Chorus, Risto Joost	C Major	3	8B	124 BPM
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus)	George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers	B Major	4	1B	110 BPM
Inflammatus et accensus	Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul	B Minor	0	10A	173 BPM
Making or Breaking	Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema	D Major	1	10B	90 BPM
Mass in D major, Op. 86: 5. Benedictus	Antonín Dvořák, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston	G Major	0	9B	85 BPM
アヴェマリア(エルガー) 作品2-2 Ave Maria	Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor, Andrew Lumsden Organ	B♭ Major	0	6B	82 BPM
Requiem: Pie Jesu	Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg	G Major	3	9B	156 BPM

ISRC: UK2382208107
Label: L-M Records/RCA Records

Section: 0.761934757232666

End: 0.7661733627319336