- BPM
- 95
- Key
- D Major
- Camelot
- 10B
Fausto, Act I: Recitativo. Chi fia quest’importuno? - Louise Bertin, Karine Deshayes, Thibault de Damas, Les Talens Lyriques, Christophe Rousset Information
- Acousticness
- 93%
- Danceability
- 30%
- Energy
- 40%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 81%
- Speechiness
- 6%
- Valence
- 16%
- Popularity
- 13%
- Loudness
- -11.108 dB
Summary
"Fausto, Act I: Recitativo. Chi fia quest’importuno?" by Louise Bertin, Karine Deshayes, Thibault de Damas, Les Talens Lyriques, Christophe Rousset was released on January 26, 2024. With Fausto, Act I: Recitativo. Chi fia quest’importuno? being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Louise Bertin, Les Talens Lyriques, Christophe Rousset, Flemish Radio Choir's "Louise Bertin: Fausto" album is number 5 out of 36. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fausto, Act I: Recitativo. Chi fia quest’importuno? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fausto, Act I: Recitativo. Chi fia quest’importuno? BPM
We consider the tempo marking of Fausto, Act I: Recitativo. Chi fia quest’importuno? by Louise Bertin, Karine Deshayes, Thibault de Damas, Les Talens Lyriques, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Fausto, Act I: Recitativo. Chi fia quest’importuno? Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | |
 | Platée, Acte 1 Scène 3: Annonce du chœur et Air "Que vos voix m'applaudissent" (Platée, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Arnold Schoenberg Chor | E♭ Major | 4 | 5B | 130 BPM | |
 | The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | |
| Le nozze di Figaro, K.492, Act IV: Recitativo. "Giunse alfin il momento" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | C Major | 1 | 8B | 66 BPM | |
 | A te, SC 8 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | C Major | 4 | 8B | 103 BPM | |
 | Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | |
 | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | |
 | Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | |
 | Puccini: Turandot , Act 1: "Gira la cote! Gira!" (Crowd, Executioner's men) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM |
- ISRC
- ITJXZ2400105
- Label
- L-M Records/RCA Records
Section: 0.6232578754425049
End: 0.6267838478088379