Sean Barrett made "Life and Works: Dvorak in Iowa" available on April 16, 2004. The duration of Life and Works: Dvorak in Iowa is about 3 minutes long, at 3:20. Based on our data, "Life and Works: Dvorak in Iowa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 1 out of 61. Life and Works: Dvorak in Iowa is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Life and Works: Dvorak in Iowa by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) | Giuseppe Verdi, Temistocle Solera, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | D♭ Major | 1 | 3B | 143 BPM | ||
La Bohème: Quando m'en vò' | Giacomo Puccini, Kiri Te Kanawa, Sir John Pritchard, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
Chapter 113 - Enemies of Mercia | MJ Porter, Sean Barrett | D♭ Major | 2 | 3B | 129 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Voi che sapete" - "Bravo! che bella voce!" | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM |
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