Carlos Arniches, Enrique Garcia Alvarez, Jose Serrano, Marcos Redondo's 'Alma de Dios: Canta Mendigo Errante, Cantos de Tu Niñez (Canción Húngara, II) - Remastered' came out on March 31, 2014. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Alma de Dios: Canta Mendigo Errante, Cantos de Tu Niñez (Canción Húngara, II) - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alma de Dios: Canta Mendigo Errante, Cantos de Tu Niñez (Canción Húngara, II) - Remastered by Carlos Arniches, Enrique Garcia Alvarez, Jose Serrano, Marcos Redondo is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | ||
Marcha De Cadiz | Popular Folk Chants | C Major | 1 | 8B | 92 BPM | ||
Tercer Acte: Concertant Final | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
Zorba El Griego | Golden Strings Orchestra | G Major | 4 | 9B | 75 BPM | ||
El Tambor de Granaderos: "Preludio" | Rafael Frühbeck de Burgos | D Major | 4 | 10B | 140 BPM | ||
Danza Gitana | Orquesta Típica de Granada | A♭ Major | 4 | 4B | 88 BPM | ||
La Villana, Acto III: El Perdón - Remastered | Federico Romero, Guillermo Fernández-Shaw, Amadeo Vives, Jacinto Guerrero, Marcos Redondo | D Major | 1 | 10B | 75 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
Tarantella - From "The Godfather" | Carmine Coppola | D♭ Major | 3 | 3B | 67 BPM | ||
El Amigo Melquiades: "Escena de las Cartas y Dúo de Nieves y Serafín" - Remastered | Jose Serrano, Joaquín Valverde, Carlos Arniches, Inés Rivadeneira, Lupe Sánchez, Gerardo Monreal, Indalecio Cisneros, Orquesta Sinfonica | G Major | 2 | 9B | 143 BPM |
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