Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid made "La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino)" available on January 1, 1994. La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 6 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) by Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Taberna del Puerto, Act I, Scene 2: Hace Días Te Esperaba (Verdier, Juan de Eguía, Simpson) | Pablo Sorozábal, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Juan Jesùs Rodriguez, Juan Pons, Enrique Ba | D Major | 2 | 10B | 171 BPM | ||
Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
Carmen / Act 1: "Quand je vous aimerai?"/Havanaise: "L'amour est un oiseau rebelle" | Georges Bizet, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D Major | 0 | 10B | 111 BPM | ||
El Sombrero de tres picos, Parte II: Danza del molinero. Farruca | Manuel de Falla, Carmen Romeu, Mahler Chamber Orchestra, Pablo Heras-Casado | G Major | 1 | 9B | 107 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Die Zauberflöte / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Michael Kraus, Lotte Leitner, Wiener Philharmoniker, Sir Georg Solti | D Major | 2 | 10B | 122 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM |
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