"6 Schübler Chorales, Op. 5: 6 Schubler Chorales, BWV 645-650: Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (arr. R. Vaughan Williams for piano)" by Johann Sebastian Bach, Ralph Vaughan Williams, Mark Bebbington had its release date on February 17, 2017. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 18 in the song's album "The Piano Music of Ralph Vaughan Williams". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Schübler Chorales, Op. 5: 6 Schubler Chorales, BWV 645-650: Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (arr. R. Vaughan Williams for piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Schübler Chorales, Op. 5: 6 Schubler Chorales, BWV 645-650: Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (arr. R. Vaughan Williams for piano) by Johann Sebastian Bach, Ralph Vaughan Williams, Mark Bebbington having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: IV. Andante - [Allegro] da capo | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 151 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: IV. "Zion hört die Wächter singen" | Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter | E♭ Major | 2 | 5B | 144 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |