- BPM
- 78
- Key
- F Major
- Camelot
- 7B
Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude - Johann Sebastian Bach, Ophélie Gaillard Information
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 3%
- Instrumentalness
- 80%
- Liveness
- 15%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 12%
- Loudness
- -20.553 dB
Summary
"Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude" by Johann Sebastian Bach, Ophélie Gaillard was released on April 12, 2011. With this song being about 5 minutes long, at 4:34, "Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude" by Johann Sebastian Bach, Ophélie Gaillard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 36 in Bach: Suites pour Violoncelle Seul (Intégrale) by Johann Sebastian Bach, Ophélie Gaillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude BPM
The tempo marking of Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude by Johann Sebastian Bach, Ophélie Gaillard is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Cello Suite No. 4 in E-flat, BWV 1010: I. Prelude Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 | Luc Beauséjour | F♯ Major | 5 | 2B | 86 BPM | |
 | Cello Suite No. 2 in D Minor, BWV 1008: III. Courante | Johann Sebastian Bach, Ophélie Gaillard | B Major | 5 | 1B | 114 BPM | |
 | Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | |
 | Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | |
 | Cello Sonata in E Minor, RV 40: I. Largo | Antonio Vivaldi, L'Arte dell' Arco, Federico Guglielmo | B♭ Major | 0 | 6B | 130 BPM | |
 | The Drexel Manuscript: Allegro | Carl Friedrich Abel, Krzysztof Firlus | D♭ Major | 2 | 3B | 91 BPM | |
 | Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | |
 | Goldberg Variations, BWV 988 (arr. for accordion): Aria | Anonymous, Johann Sebastian Bach, Denis Patković | G Major | 0 | 9B | 77 BPM | |
 | Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs | D Major | 0 | 10B | 78 BPM | |
 | Fantasia No. 1 in B-Flat Major, TWV 40:14: I. Largo | Georg Philipp Telemann, Federico Guglielmo | A Major | 0 | 11B | 107 BPM |
- ISRC
- FR0V61001719
- Label
- L-M Records/RCA Records
Section: 0.5705723762512207
End: 0.5738329887390137