On April 12, 2011, the song "Cello Suite No. 2 in D Minor, BWV 1008: III. Courante" was released by Johann Sebastian Bach, Ophélie Gaillard. The duration of Cello Suite No. 2 in D Minor, BWV 1008: III. Courante is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 36 in Bach: Suites pour Violoncelle Seul (Intégrale) by Johann Sebastian Bach, Ophélie Gaillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cello Suite No. 2 in D Minor, BWV 1008: III. Courante is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cello Suite No. 2 in D Minor, BWV 1008: III. Courante by Johann Sebastian Bach, Ophélie Gaillard is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
Cello Concerto in C Major, G. 573: II. Largo cantabile | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 2 | 6B | 117 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, New Bach Collegium Musicum Leipzig, Burkhard Glaetzner, Paul Leenhouts, Karel Van Steenhoven, Christine Schornsheim | A Major | 2 | 11B | 148 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Sonata for Viola da Gamba, TWV 40:1: II. Courante. Allegro vivace - Arr. for Solo Cello | Georg Philipp Telemann, Christian-Pierre La Marca | D♭ Major | 2 | 3B | 136 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Les ballets du roi: Gavotte en rondeau (arr. for violin and piano) | Anonymous, Jean-Baptiste Lully, Takako Nishizaki, Terence Dennis | A Minor | 1 | 8A | 81 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM |
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