Joseph Haydn made "Haydn: String Quartet in E-Flat Major, Op. 76 No. 6, Hob. III:80: II. Fantasia. Adagio" available on September 1, 1999. Since Haydn: String Quartet in E-Flat Major, Op. 76 No. 6, Hob. III:80: II. Fantasia. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Alban Berg Quartett's "Haydn: String Quartets Op.76 Nos. 1, 5 & 6" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Haydn: String Quartet in E-Flat Major, Op. 76 No. 6, Hob. III:80: II. Fantasia. Adagio's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Haydn: String Quartet in E-Flat Major, Op. 76 No. 6, Hob. III:80: II. Fantasia. Adagio by Joseph Haydn to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 118 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Beethoven: String Quartet No. 16 in F Major, Op. 135: II. Vivace (Live at Konzerthaus, Wien, 1989) | Ludwig van Beethoven, Alban Berg Quartett | E♭ Major | 1 | 5B | 97 BPM | ||
Piano Sonata in C minor, H.XVI No.20: 3. Finale (Allegro) | Joseph Haydn, Alfred Brendel | B♭ Major | 0 | 6B | 134 BPM | ||
Symphony in G Major, Op. 11 No. 1: III. Allegro assai | Joseph Bologne, Chevalier de Saint-Georges, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 75 BPM | ||
Viola Concerto No. 1 in D Major: III. Rondeau | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 98 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Kreisleriana, Op.16: 3. Sehr aufgeregt | Robert Schumann, Martha Argerich | G Minor | 0 | 6A | 64 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: III. Finale. Vivace | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | C Major | 2 | 8B | 151 BPM |
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