Goffredo Petrassi, Orchestra Teatro Regio Torino, Gianandrea Noseda's 'Coro di morti: Scherzo strumentale: Moderato -' came out on 2015. With Coro di morti: Scherzo strumentale: Moderato - being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Petrassi: Works for Voices & Orchestra". In this album, this song's track order is #10. Coro di morti: Scherzo strumentale: Moderato - is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Coro di morti: Scherzo strumentale: Moderato - by Goffredo Petrassi, Orchestra Teatro Regio Torino, Gianandrea Noseda having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I go before my Judge | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo | Goffredo Petrassi, Gianandrea Noseda, Orchestra of Teatro Regio, Coro Teatro Regio Torino | C Major | 0 | 8B | 58 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Te Deum, WAB 45: IV. Salvum fac populum tuum | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Ode, Elegiac Chant in 3 parts: I. Eulogy | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
Section: 0.9493796825408936
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