Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo
Goffredo Petrassi, Gianandrea Noseda, Orchestra of Teatro Regio, Coro Teatro Regio Torino
Petrassi: Coro dei morti, Quattro inni sacri, Partita & Noche oscura
1:09 January 1, 2015
BPM
58
Key
C Major
Camelot
8B

Embed

Share Link

Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo - Goffredo Petrassi, Gianandrea Noseda, Orchestra of Teatro Regio, Coro Teatro Regio Torino Information

Acousticness
94%
Danceability
16%
Energy
5%
Instrumentalness
86%
Liveness
9%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.002 dB

Summary

"Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo" by Goffredo Petrassi, Gianandrea Noseda, Orchestra of Teatro Regio, Coro Teatro Regio Torino was released on January 1, 2015. With Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Petrassi: Coro dei morti, Quattro inni sacri, Partita & Noche oscura". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo BPM

With Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo by Goffredo Petrassi, Gianandrea Noseda, Orchestra of Teatro Regio, Coro Teatro Regio Torino having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Coro di morti: IV. Tempo dello scherzo - Sostenuto, ma non troppo Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio by Arnold Rosner, London Philharmonic Orchestra, Nick PalmerVariations on a Theme by Frank Martin, Op. 105: Var. 2, AdagioArnold Rosner, London Philharmonic Orchestra, Nick PalmerC Minor15A136 BPM
Beatitudines (Testimonianza per Martin Luther King) by Goffredo Petrassi, Günter Kiefer, Compania Ensemble des Symphonieorchesters Münster, Andrea MolinoBeatitudines (Testimonianza per Martin Luther King)Goffredo Petrassi, Günter Kiefer, Compania Ensemble des Symphonieorchesters Münster, Andrea MolinoG Major19B112 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) by Igor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraPulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato)Igor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraG Minor06A140 BPM
A Child of our Time, Part III: Preludium by Michael Tippett, BBC Symphony Orchestra, Andrew DavisA Child of our Time, Part III: PreludiumMichael Tippett, BBC Symphony Orchestra, Andrew DavisE Minor19A141 BPM
And Tired From Happiness, They Started to Dance: II. Motion of Waiting by Jüri Reinvere, Estonian Festival Orchestra, Paavo JärviAnd Tired From Happiness, They Started to Dance: II. Motion of WaitingJüri Reinvere, Estonian Festival Orchestra, Paavo JärviA Minor18A117 BPM
Norske eventyrbilleder (Scenes from Norwegian Fairy Tales), Op. 37: III - Entry of the Trolls into the Blue Mountain by Johan Halvorsen, Iceland Symphony Orchestra, Bjarte EngesetNorske eventyrbilleder (Scenes from Norwegian Fairy Tales), Op. 37: III - Entry of the Trolls into the Blue MountainJohan Halvorsen, Iceland Symphony Orchestra, Bjarte EngesetC Major18B136 BPM
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio by Richard Strauss, Staatskapelle Halle, Fabrice BollonJosephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des PalladioRichard Strauss, Staatskapelle Halle, Fabrice BollonG Major49B76 BPM
Romanian Folk Dances, Sz. 68: No. 3, Pe loc by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas DausgaardRomanian Folk Dances, Sz. 68: No. 3, Pe locBéla Bartók, BBC Scottish Symphony Orchestra, Thomas DausgaardF Major47B154 BPM
Symphony No. 5, Op. 107, Symphony No. 5, Op. 107, "Reformation": II. Allegro vivaceFelix Mendelssohn, Tonhalle-Orchester Zürich, Paavo JärviE Major112B72 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagioCamille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia OrchestraC Major48B105 BPM
ISRC
GBLWD1500112
Label
L-M Records/RCA Records

Section: 0.6954689025878906

End: 0.6999213695526123