"Piazzolla / Arr. Assad: Estaciones porteñas: No. 3, Primavera porteña" by Astor Piazzolla, Thibaut García was released on 2016. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Prince of Guitar". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Piazzolla / Arr. Assad: Estaciones porteñas: No. 3, Primavera porteña's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla / Arr. Assad: Estaciones porteñas: No. 3, Primavera porteña by Astor Piazzolla, Thibaut García having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Caprice | Vladislav Cojocaru | C Major | 3 | 8B | 147 BPM | ||
Fumando Espero | Alfredo De Angelis, Carlos Dante | G Minor | 5 | 6A | 116 BPM | ||
Toccata & Fugue in D Minor, BWV 566: II. Fugue - Arranged by Charl du Plessis | Johann Sebastian Bach, Charl du Plessis Trio | D Minor | 5 | 7A | 153 BPM | ||
Vivaldi: Il Giustino, RV 717, Act 1: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E♭ Major | 1 | 5B | 94 BPM | ||
Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) | Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts | A Minor | 2 | 8A | 169 BPM | ||
Piazzolla & Troilo : Contrabajeando | Aníbal Troilo, Astor Piazzolla, Daniel Barenboim, Rodolfo Mederos, Héctor Console | D Minor | 1 | 7A | 136 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Das wohltemperierte Klavier, Book 1 (Arr. for Accordion): Prelude No. 2 in C Minor, BWV 847 | Johann Sebastian Bach, 御喜美江 | C Minor | 3 | 5A | 115 BPM | ||
Taquito Militar | Mariano Mores | A Minor | 6 | 8A | 141 BPM | ||
Bach, JS / Arr. Braga: Two-Part Inventions: No. 8 in F Major, BWV 779 | Johann Sebastian Bach, Camerata Brasil, Henrique Cazes | F Major | 3 | 7B | 107 BPM |
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