On May 25, 1994, the song "Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie" was released by Johann Sebastian Bach, Alexander Titov, St. Petersburg Classic Music Studio Orchestra. With Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 19 in Bach: Orchestral Suites Nos. 1 & 2 - Handel: Concerto grosso, Op. 6 No. 7 by Alexander Titov. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie by Johann Sebastian Bach, Alexander Titov, St. Petersburg Classic Music Studio Orchestra is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto for Oboe in D minor, Op. 9, No. 2: II. Adagio | Current | B♭ Major | 1 | 6B | 76 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
Waltz No.6 in D flat major, Minute Waltz Op. 64 No.1 | Ketevan Badridze | D♭ Major | 1 | 3B | 130 BPM | ||
Concerto in C Major for Sopranino Recorder, Strings and B.C, RV 443: II. Largo | Karl Stangenberg, Munich Chamber Orchestra and Hans Stadlmeier | E Minor | 1 | 9A | 82 BPM | ||
Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro | Johann Sebastian Bach, Park Kyuhee | D Major | 2 | 10B | 127 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM | ||
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM |
Section: 0.6417667865753174
End: 0.6456379890441895