"Cameos: No. 9. The Sweating Infantry" by Erik Chisholm, Murray McLachlan was released on April 1, 2013. With Cameos: No. 9. The Sweating Infantry being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 37 in Chisholm, E.: Music for Piano, Vol. 4 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Cameos: No. 9. The Sweating Infantry is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cameos: No. 9. The Sweating Infantry by Erik Chisholm, Murray McLachlan is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le ruban dénoué. Douze valses à deux pianos: No. 1, Decrets indolents du hazard | Reynaldo Hahn, Martin Jones, Adrian Farmer | F♯ Minor | 0 | 11A | 111 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Lyric Pieces, Book VII, Op. 62: No. 2, Gratitude | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 16, Kivlemøyane. Springdans. Introduction. Allegro moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Variations on a Theme by Robert Schumann, Op. 9: Var. 3, Tempo di tema | Johannes Brahms, Vladimir Feltsman | E Minor | 0 | 9A | 73 BPM | ||
Ondulando, estudio, Op. 31, W082 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Cirandas, W220: No. 16, Có-Có-Có | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
12 Etudes, Op. 8: No. 1 in C-Sharp Major | Alexander Scriabin, Daniela Roma | D♭ Major | 1 | 3B | 146 BPM | ||
Concerto for 2 Pianos, K058: I. Con moto | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
Scottish Airs for Children: No. 17. Menuet | Erik Chisholm, Murray McLachlan | C Major | 0 | 8B | 78 BPM |
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