"Lyric Pieces, Book VII, Op. 62: No. 2, Gratitude" by Edvard Grieg, Andrey Gugnin was released on May 3, 2024. The duration of Lyric Pieces, Book VII, Op. 62: No. 2, Gratitude is about 3 minutes long, at 3:25. Based on our data, "Lyric Pieces, Book VII, Op. 62: No. 2, Gratitude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Andrey Gugnin's "Grieg: Holberg Suite, Ballade & Lyric Pieces" album is number 7 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Lyric Pieces, Book VII, Op. 62: No. 2, Gratitude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyric Pieces, Book VII, Op. 62: No. 2, Gratitude by Edvard Grieg, Andrey Gugnin to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
New York Skyline Melody, W 407 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Concert Etude After Bach | ARSHA KAVIANI | C Major | 1 | 8B | 131 BPM | ||
On the Overgrown Path / Book 1: No. 2, A Blown-Away Leaf | Leoš Janáček, Olena Kushpler | B♭ Major | 0 | 6B | 69 BPM | ||
Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Garrick Ohlsson | A♭ Major | 0 | 4B | 138 BPM | ||
Piano Sonata in D Major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
Unfinished Accel World | Satoshi Yaginuma, Animenzz | A♭ Major | 4 | 4B | 131 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Prélude in B-Flat Major, Op. 11, No. 21 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Oblivion - piano four hands | Ad Parnassum Piano Duo, Astor Piazzolla arr. Biagio Lo Cascio | A Minor | 3 | 8A | 172 BPM |
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