"Rakastava, Op. 14: II. The Path of His Beloved. Allegretto" by Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki was released on February 2, 2024. The duration of Rakastava, Op. 14: II. The Path of His Beloved. Allegretto is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Rakastava, Op. 14: II. The Path of His Beloved. Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Sibelius: Karelia Suite, Rakastava & Lemminkäinen". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Rakastava, Op. 14: II. The Path of His Beloved. Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rakastava, Op. 14: II. The Path of His Beloved. Allegretto by Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Callirhoé, suite de ballet: II. Pas des écharpes | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | A♭ Major | 0 | 4B | 104 BPM | ||
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 65 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Symphony No.4 in A (Italian): Second Movement (Pilgrim's March) | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Bruckner: Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 134 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Presto | Ludwig van Beethoven, Ukrainian Freedom Orchestra, Keri-Lynn Wilson | A Major | 1 | 11B | 84 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
Section: 0.8168597221374512
End: 0.821873664855957