Cesare Andrea Bixio, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine's 'Parlami d'amore, Mariù (Arr. Schifrin) - Live' came out on 1998. The duration of Parlami d'amore, Mariù (Arr. Schifrin) - Live is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Parlami d'amore, Mariù (Arr. Schifrin) - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Three Tenors - Paris 1998". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Parlami d'amore, Mariù (Arr. Schifrin) - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Parlami d'amore, Mariù (Arr. Schifrin) - Live by Cesare Andrea Bixio, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Ti adoro | Michele Centonze, Robin Smith, Luciano Pavarotti, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra | A Major | 7 | 11B | 77 BPM | ||
Dicitencello Vuie | Rodolfo Falvo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A♭ Major | 2 | 4B | 110 BPM | ||
"Amapola" | Joseph Maria Lacalle, Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | D♭ Major | 4 | 3B | 129 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
Bésame mucho | Consuelo Velázquez, Plácido Domingo, Eugene Kohn | E♭ Minor | 5 | 2A | 127 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Parla più piano | Nino Rota, Plácido Domingo, Eugene Kohn | A Major | 5 | 11B | 125 BPM |
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